BACK TO INDEX                    Coventry UK Tutor’s Conference – February 5th 2005

Notes for first part of session on ‘Arts, the Institute Process and the Transformation of the Baha’i Community’

Creativity  - Open To All 

We are all creative.  Creativity is a natural, irrepressible impulse.  Through responding to this impulse we fulfil a need within us to express ourselves, to communicate with our inner spirit and with the external world. As Baha’is we are encouraged to make manifest this creative impulse, to reveal our gems of inestimable value to better serve the process of spiritual and material transformation in the world of humanity. 

At the core of creativity is transformation on a multitude of planes.  To be a cause for transformation we need to be freely active, full of faith and nurture Baha’u’llah’s vision for this age.  

I recently came across this quotation from Black Elk, the Native American Chief: 

“A vision without a task is a dream.

A task without a vision is drudgery.

But a task with a vision can change the world”

Creativity is a mysterious combination of vision and task, perhaps.  With faith, a sense of adventure and purpose tied up with the ribbon of active learning we have a gift to change the world.  

In the January 17th 2003 letter, the Universal House of Justice wrote that ‘Learning in action is becoming the outstanding feature of the emerging mode of operation’ and that an ‘outward looking orientation is one of the finest fruits of the grass-roots learning taking place’. Learning and creativity are soul-mates and like the learning that happens at grass-roots, so creativity is finding its expression in many Baha’i communities.  The fruits of a fully expressive and creative Baha’i community are showing.  I was touched to hear about two new believers enrolling in the Faith in Portishead as the result of being part of a Book 1study circle.  The poem written by one of these ladies before she had declared was read aloud by Viv Craig at the Tutor’s conference.  It spoke volumes about how through the combined power of the Word of God, the loving embrace of Baha’is and lots of creative opportunities, an outward looking, grass-roots orientation can be a portal to Entry by Troops. 

With an outward looking, inclusive and active attitude the Baha’i community becomes a natural force of attraction for seekers, who are marked by their own active and independent investigation of Truth.  These seekers, become (as demonstrated in Portishead) through their involvement with study circles, devotionals and creative gatherings new believers who ‘view their role in the community as that of active participants in a dynamic process of growth’ (Universal House of Justice, 17/1/03)

It was this dynamism that attracted me to the Faith three years ago, particularly the energy and fearless advocacy of universal peace and unity demonstrated by Junior Youth I met in Greece whilst working with Phoenix Baha’i Youth Theatre. (We have so much to learn from the vitality and imagination of Junior Youth)

People do not become Baha’is to belong to a staid or rigid congregation, they are searching for a community which is progressive and alive.  The arts are natural exemplars of a progressive, evolving and responsive culture.  The integrated exploration of and use of diverse art forms will certainly be a catalyst for growth of the Cause.  I have added ‘exploration’ before ‘use’ because unless we ourselves re-learn to play, explore and discover we will only ever view art as a product.  It is the creative process, which educates, touches and transforms us as much as the artistic outcome.  

In the context of a study circle it is all about the creative process  -  engaging with an idea, responding to a beautiful or challenging quotation, consulting with others, laughing about our perceived inadequacies at doing something ‘arty’, then giving form to the initial spark of inspiration, pushing beyond the functional task into imaginary realms to create something outside of ourselves, but somehow expressing our inner most voice.  It is this process, which draws us closer to knowing ourselves better, to come to know others in a new light and above all lifts us up higher to draw nearer to God.  

The study circle is a natural channel through which we can express our artistic talents and sentiments (ref ITC, 5/11/01) In an atmosphere of encouragement and love where fear of failure has no place and a spirit of adventure pervades, everyone has the capacity to be creative. 

We all have this creative capacity, for Creation is manifold, limitless and open to all. In the Hidden Words, Baha’u’llah continually reinforces our capacity to reflect and manifest His attributes: 

“My light is manifest to thee, it cannot be obscured”

(From the Arabic Hidden Words, no. 20) 

His light cannot be obscured. By exploration of our higher selves and by exercising our God given creative impulses we have the Divine Bounty of radiating His light and manifesting His love in the world. 

Through Baha’u’llah’s sacrifices, His exemplary life and teachings ‘ a fresh capacity was infused into all created things’.  These achievements in the worlds of arts, sciences and invention ‘are but manifestations of the quickening power released by His transcendent, His all pervasive and resplendent spirit.’

(Gleanings from the Writings of Baha’u’llah, p 85) 

Quietly we may be thinking ‘I am no scientist, no great inventor, certainly no talented artist’.  That self conscious voice of doubt chats away at the back of our brains and provides an ‘excellent’ excuse to hide our light and decline to ‘make a fool of ourselves’.  If by being foolish we take a few risks, have a go, throw caution to the wind, laugh and begin to create something, then being a fool is a wise thing to be. And in the context of a study circle our hidden gems cannot remain obscured, we have to let them twinkle.  If we continue to resist our God given urge to be creative we are working against the ‘animating force’, the quickening power’, the ‘animating energies’ of Baha’u’llah’s Divine Plan. 

Don’t worry about getting it wrong (or right for that matter) such definitions don’t apply here, don’t worry if people won’t know what your picture means, don’t worry if YOU don’t know what it means.  On being asked to explain her dance, Isadora Duncan said: “If I could tell you what it meant there would have been no point in dancing!”   

Being creative is God given and therefore mysterious. We cannot always know what we do or be able to explain it explicitly using words, but more often than not, once we settle into an artistic activity we begin to feel a sense of freedom that is liberating.  (if we feel frustrated that is only because that critical, self-censoring voice in our brain in chatting too loudly – ask it nicely to go away and get back to your collage!) 

In his book, ‘Playing and Exploring’, educationalist Robin Hodgkin, wrote about this sensation of freedom in terms of freedom from something and freedom for or towards something new: 

“A person who is involved in the process of discovery is likely to feel a sense of freedom, even though many rules and frustrations may press hard upon him. A creative act feels free ... because it results in a move ’upwards’ into a more highly ordered state from a simpler one.  For example: when we utter a spontaneous sentence we move ‘up’ from words into language... Freedom, then is experienced both from constraints and for a higher level.” (p. 65) 

We all yearn for that higher level of understanding, that clarity that comes from closeness to the Well-Spring of Truth, that sense of freedom to be our true selves.  I work as a theatre practitioner, but I have always been shy of singing, I could never stand the sound of my own voice, until I started singing in study circles.  I had enjoyed art as a child, but never excelled and therefore let it slide, in the past couple of years I have made more pictures, collages and tissue paper creations than I did in my whole education at school.  I have also discovered that as a visual and kinesthetic learner I really need the artistic or imaginative activities to help me memorize concepts and quotations.  This helps me share the Faith more confidently with my friends and colleagues who have questions. 

Creativity however it is expressed is a means by which we can open our hearts to each other and gain the confidence to be open to all, in all we do. 

‘No sooner is this resplendent word uttered, than its animating energies, stirring within all created things, give birth to the means and instruments whereby such arts can be produced and perfected’.   (Gleanings from the Writings of Baha’u’llah, p. 142)

Jessica